March 18, 2018: the head. The head is arguably the most important part of the doll. The expression on the face can make or break what you are working on. Got some tips or want advice on some challenges? Let us know. Please post a picture of your work in a comment to this post by the deadline.
Familiar names Forrest Rogers and Virginie Ropars are among the artists who have been selected to appear in the 25th annual Spectrum: The Best in Contemporary Fantastic Art. If you aren’t familiar with this book series, it is a year book that celebrates the best of fantasy art. It includes the full span of 2d and 3d art, traditional and digital media, published and well known art and unpublished art by relative newcomers. It has generally included doll art every year.
You can learn more about it at their website.
The photo is Octopoid Descending, by Forest Rogers.
Many of you are probably aware of Lisa Lichtenfels amazing work. You may also be aware that last year she had breast cancer at the same time she lost her husband. She’s recovering well from the cancer, but has developed arthritis that is making resuming work difficult.
Lisa’s artwork is incredible, but when I met her I was so impressed with her as an individual my overwhelming impression was that I would have been just as impressed with her no matter what she did. But the artwork! They are often mistaken for photos of real people, but they are built with layers of batting over metal armatures. Her dolls have souls.
If you aren’t familiar with her work, you can find pictures at http://lisalichtenfels.net.
Connie Smith just posted an update on the gofundme she started to help support Lisa. Lisa has started to work again, but it’s tough and her house needs many repairs that were delayed for years.
Hello doll makers! March 4, 2018 is our next checkpoint. By next week, you should have your armature and/or pattern finished. I’m assuming nearly all dolls will use either an armature (sculpted dolls) or a pattern (cloth dolls.) If this assumption doesn’t work for your particular method, then do whatever you need to get a good start on your own piece. When you post a picture, let us know if you are looking for feedback or simply sharing.
If you haven’t joined us yet, there’s still plenty of time. Feel free to jump in late and play along.
The dollmakers email discussion list began in 1996. The archive doesn’t go all the way back to the beginning because of server migrations, but our archive of discussions and dollmaking tips goes back to 2002. We’ve had members ranging from world-famous artists including NIADA members Marlaine Verhelst and Jodi Creager to brand new members asking tons of questions. We focus more on original sculpted dolls, but we do have cloth artists and the occasional discussion on porcelain molds. We would love to get some new members on the list so we look forward to meeting you.
If you are interested in joining, click here for the form to join. Once you’ve joined, you have access to the 16 years worth of discussion archives with its wealth of information.
Hey Doll Makers!
Our first checkpoint is coming up on Sunday, Feb. 18, 2018, but this is a small one. For the first piece, we just need to decide what we are doing and make our plans. This might be a paragraph, or it might be a sketch, or maybe both. Decide on the character you are making and start thinking about it. Post something as a comment to this post. Let us know what story you are using as inspiration. Please tell us if you are looking for feedback or not.
Starting a piece with a sketch is a great idea. It’s easier to change a sketch than to spend hours sculpting only to realize you don’t like something. If you draw your sketch to scale, you can use it as a tool for laying out your doll.
Did you know about the intersection of doll houses and forensic science?
Francis Glessner Lee, the first woman police captain in the country, widely considered the mother of forensic science, used meticulously crafted doll house scenes to teach aspects of detective work. Using real homicide cases for inspiration, each diorama includes painstaking clues such as the angles of bullet holes in the walls to portray a story and teach real police officers how to solve mysteries.
I am really sad that I missed the exhibit at the Smithsonian, but the web sites still have a wealth of pictures and information.
Death and Feminism in a Nutshell in the Paris Review
The Nutshell Studies of Unexplained Death by Corinne May Botz, a beautifully photographed 2004 book on the Nutshell Studies
photo by Lorie Shaull – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56723654
On the email dollmaking list, we decided we wanted to kick off the new website with a sculpt-a-long! The theme is Storybook; the doll can include books in some way, or can be a character from one of your favorite stories. You can use any medium you wish — cloth, new clay, porcelain, resins, wood, or anything else you can think of. The goal is simply to play along, jumpstart our creativity, and motivate us to finish a project. We are giving ourselves plenty of time to finish this project, with a lot of checkpoints along the way. Don’t worry, we will also have challenges along the way with shorter timelines for those of us with shorter attention spans!
We are going to break this project down into sections with deadlines, with time scheduled for each section of work. On the deadline, I will make a post, and the participants can upload pictures of their work in progress. At the end, I will pick some winners from the ones who managed to stay with us throughout the whole process, and they will win a dollmaking book.
Here is the deadline schedule:
Feb. 18 2018: idea and sketches. Post your sketches and get feedback on what you are thinking. Play with the pose or with the costume on paper before you put a lot of time into writing. Maybe post some links to pictures that inspire you. Recommend your favorite book you are taking the character from.
March 4 2018: beginning. For the sculptors, the first step will probably be the armature. For the cloth doll makers, it might be drafting, adapting, or finding the appropriate pattern. Post a picture or drop a line by the deadline to show how it is going.
March 18, 2018: the head. The head is arguably the most important part of the doll. The expression on the face can make or break what you are working on. Got some tips or want advice on some challenges? Let us know.
April 2, 2018: Hands. Expressive hands are one of the biggest challenges in creating an art doll.
April 15, 2018: Body. Now that you’ve got the pieces sculpted, it’s time to start putting them together.
May 6, 2018: Costume. Clothes, shoes, and wigs. We’ve got an extra week on this one because there’s a lot here.
May 20, 2018: Finishing. Props? Base? Any other final touches your piece needs, or something you want to revisit from the previous sections. This is your opportunity to catch up if you have fallen behind along the way. Post your finished piece by May 20th.